Singer Songwriters who should be household names....

by hillary_step 178 Replies latest social entertainment

  • hillary_step
    hillary_step

    Over the decades musicians rise and fall like a spring wind. Some stay where they should never be, some never are where they should be; such is the roulette of time.

    This thread is dedicated to singer songwriters who influence the rest of the best, but are seldom known - 'gamblers in the neon, clinging to guitars...'

    Shawn Phillips. Sixty-five and still touring!:

    http://www.youtube.com/watch?v=zCtqUwjlNeQ&feature=related

    Danny O'Keefe - 'You Don't Have To be Right - You have To Be ready':

    http://www.youtube.com/watch?v=3wWljzkJIAU

    Fred Neil - 'Dolphins'. This guy could write the knickers off the vicars wife:

    http://www.youtube.com/watch?v=QKjAlICPF8M

    Terry Callier - 'Lararus Man'. I love Curtis Mayfield, but this guy floats in the jet-stream:

    http://www.youtube.com/watch?v=qAfTI5vi5F8

    Last for tonight but nowhere near least. Townes Van Zandt, sadly deceased ten years ago without making much of a ripple in the music world apart from the musicians whom he influenced. Neil Young, Bob Dylan, Sonic Youth, Bono etc. 'Heartworn Highway':

    http://www.youtube.com/watch?v=xTGKzWDakK8

    Please add your own singer songwriters. Just to make it more difficult, they must have been 'covered' by well known musicians. This normally sorts the men from the boys.

    HS

  • dinah
    dinah

    Paul Simon!!

  • hillary_step
    hillary_step

    Dinah,

    Paul Simon!!

    I am more interested to hear of those who influenced Paul Simon. For example, Shawn Phillips and Paul Simon roomed together in the 60's and I suspect that Simon sat and listened.

    HS

  • Pistoff
    Pistoff

    Easy--Richard Thompson

  • hillary_step
    hillary_step

    Pistoff,

    Easy--Richard Thompson

    Yeah, but Richard Thompson IS a household name and has been for nearly forty years - much deserved I might add. The guys above have all been covered by the biggest names in the industry, but not many have heard of them, or heard them. That is what the thread is about. HS

  • beksbks
    beksbks

    Is that the Steeleye or Fairport or Planxty guy?? Richard Thompson? How's that for an ugly American???

  • amicus
    amicus

    Hill, you just earned points. Not that it matters of course.

    I've been on a Fred Neil crusade ever since...I first heard him? My little brother who recently visited, engaged with my older brother in the Ipod wars. Hours later after great music I aced them, I played "Dolphins". They both hurrumphed, (I wasn't in the competition, but Fred can't be repressed!)

    That Ipod war was fun, but Fred Neil lives on, up there on Mount Olympus. We mortals pale in his shadow.

    Richard Tompson is great of course...but "Beeswing" never fails to rip my heart from my chest and make me wonder....

  • avishai
    avishai

    Mickey Newbury

    http://youtube.com/watch?v=tw_sFmsuK-4&feature=related

    The song he's known for most, though is an arrangement of three songs that were written long ago. Elvis did a cover of this arrangement. I still think Mickeys is more haunting though..

    http://youtube.com/watch?v=RiTjElq5Xjs&feature=related

    And here's the story. Beautiful, relavent even today, especially the way this country is today...

    AN AMERICAN TRILOGY

    Reposted to accompany the appearance, today, of
    a video clip of Mickey performing An American Trilogy
    with Marie Rhines.

    Though Mickey wrote hundreds of remarkable songs,
    he is best known for one he didn't write.

    It was in the immediate aftermath of the U.S. going
    into Cambodia in 1970, and the deaths of four
    students at Kent State in Ohio. The streets of cities
    were filled with tension, conflicts between people
    against the war and the National Guard.

    Mickey was booked into a club in Los Angeles at
    the time. In his book, Crystal & Stone, Joe Ziemer
    writes, "Whites in integrated southern schools
    were insisting on using Dixie as the school fight
    song, while blacks were protesting, as they saw
    it as an anthem of white supremacy. The singing
    of Dixie had been banned in some Southern states...

    "Nothing in the song made it the exclusive property
    of bigots or extremists," Newbury protested. He then
    advised Paul Colby he was going to sing Dixie, as a
    protest against censorship. Fearing a riot, Colby...
    pleaded with him not to do it. Mick told him to call
    the riot squad.

    "...'It was one of those...nights, you know, where
    everybody in the business comes in. Joan Baez
    was there, and Odetta and Cass Elliott...' and Mick's
    wife, Susan. 'Streisand came by,' Susan remembered,
    'and tried to talk Kristofferson into leaving with her,
    before Mick sang. Kris declined and my admiration
    for Kris jumped a notch...'

    "The Dixie Mick presented that evening was not the
    rousing, rebel yell, battle march version, but the slow,
    heartfelt, melodious tune that we know today...
    'I got through the Dixie part of the song and I looked
    down and Odetta was sitting down in the front row
    and she had tears in her eyes...' (Mickey)

    "Only when he began singing Dixie did it dawn upon
    him to add Battle Hymn Of The Republic and conclude
    with the antebellum All My Trials... The impromptu
    arrangement just came together... in one moment
    of brilliant inspiration.

    "...'A lot of people,' Mick explained, 'were not aware
    that President Lincoln requested Dixie to be performed
    on the steps of the White House the day the Civil War
    was over. Historically it goes a long way back...and it
    was written by a man (D.D. Emmett) from the North
    of the United States. Battle Hymn Of The Republic was
    written by a man from the South... and All My Trials
    was originally a Jamaican slave song... African American
    slaves of the era adopted All My Trials as a song of
    sorrow. The Confederacy took Dixie as a marching song,
    while the Union identified with Battle Hymn Of The
    Republic
    ... so there were the three components of
    the Civil War'..."

    So there was Newbury, erasing the Mason-Dixon Line
    with an arrangement that came through him, on the
    spot, later to be known as An American Trilogy...
    and Mickey Newbury's most famous song. It was
    also a performance that - given the daily battles in
    the streets of American cities as opposition to the
    war in Vietnam boiled over - somehow managed to
    reach across divisions (a bridge instead of a wall) by
    pure and heartfelt emotion.

    For the whole story of this song and Mickey's life
    and music, seek out Joe Ziemer's biography of him,
    Crystal & Stone. (see cover photo and link below) Mickey died in late September of 2002. In June of
    2003, the third Mickey Newbury Gathering took place
    in Austin, Texas. It was the first one without Mickey
    being present. Members of his family came. Susan
    and the kids from Oregon - Chris, Annaleah, Stephen
    and Laura Shayne. Mickey's mother, Mamie, came up
    from New Caney, Texas. It was emotional. Friends
    of Mickey's were still coming to grips with his death
    and, needless to say, so was his family. We were a
    little amazed that they'd come to the event at all.

    Towards the end of that three-day Gathering, Mick's
    youngest daughter, Laura Shayne, after some urging,
    took the stage to sing a song. Jeff Stave sat in on
    guitar for her. Laura was 18 then. The song she chose
    to sing in memory of her daddy was An American Trilogy. When she got to the song of sorrow, All My Trials, her
    voice quavered slightly on the lines, "Hush little baby,
    don't you cry...you know your daddy is bound to die..."
    We were all crying then, and the night would've drowned
    us in sorrow had not Laura lifted us up by breaking into
    the trademark whistling that her father so loved...

  • TMS
    TMS

    Daniel Johnston

  • FlyingHighNow
    FlyingHighNow

    Nanci Griffith:

    She's from Austin, Tx, but is more well known in Ireland. This song sounds more country than a lot of her songs, which are generally a blend of folk, rock and country. I like this one because of the way she belts out the song. She's an excellent self taught guitar player and has written songs that have been recorded by Suzy Bogus (Outbound Plane) and she wrote Love at the Five and Dime or the Woolworth's song. She's delightful to listen to just speaking between songs with her Texas accent and her clever wit.

    http://youtube.com/watch?v=n3WS3toOHgg&feature=related

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