Was music better years ago than today?

by JH 66 Replies latest jw friends

  • SixofNine
    SixofNine

    hmmm, I think I like the way this new Salamander chick thinks! Cutely curmudgeonly, like me . (please don't correct me if you don't think I'm curmudgeonly, lol)

    Undercover, *arrgghh* you just had to go there, didn't you? lol

  • KGB
    KGB

    Absolutley the 50`s, 60`s, 70`s & 80`s were great and I couldn't give a rats arse for todays music

  • SheilaM
    SheilaM

    As I have tried to teach Thunder this is the normal evolution of music. I prefer the 60', 70's and 80's My parents loved the 30's, 40's and 50's such is life. I myself believe there is plenty of beautiful music today and plenty of one hit wonders just as we had " Leo Sayer" today they will have someone else. I am less thrilled with violent rap and songs and some country. But Three Doors Down" "Creed" etc Rock.

  • Ron1968
    Ron1968

    I think it all depends when you grew up. I love the 70's myself. Hey, the Bee Gees were awesome!!

    Ron

  • Satanus
    Satanus

    Yxl1

    I couldn't find the peak in the eighties after all. Possibly the who and led zep were the peak of it all. Though, there would be lots of disagreement about it, and also about which of their songs were the peaks of their careers.

    SS

  • hillary_step
    hillary_step

    Abbadon,

    A good post.

    One big problem is that the fact any moron with the right equipment can produce composition without any musical knowledge or playing ability whatsoever. It used to be that if you did this, it sounded obviously crap. Now technology hides the crapitude unless the person listening knows what to listen for.

    Now, that is so true and herein lies the problem. People are described as being musicians who could not differentiate a sustained chord from an umbilical chord. The ‘old farts’, more often than not served an apprenticeship in the studios before they even stuck there pimply faces on a CD, many of them gasp, can read music before they read recording contracts.

    I was involved with a band many years ago signed by Decca, I did some lyrical work for them and played a little guitar on their first album. After signing their contract they worked seven days a week for a whole year practicing, writing, practicing even more *before* they even released their first album. I can tell you, that I see first hand that this sort of dedication is not there among many of the younger musicians that I meet, because the accent is on success NOT on art and while this is the case, very little will appear that will sustain the reach of time.

    Your comparisons do not strike me as doing anything but proving my point.

    For your Joni Mitchell I raise you Tori Amos.

    Tori Amos, is she not the girl that cites Joni Mitchell as her greatest influence and actually released a couple of her covers? I will give her due as a musician, but not as an innovator. Joni Mitchell is today drafting songs that will serve as inspirational fodder for the thousand Tori Amos’ to come for a long while - and believe you me, there are thousands of copyists singing out their spleens in their little bedrooms as we speak.

    I would not class Led Zepplin as innovators in any way, they followed in footsteps carved by others seldom heard of.

    Check out Don Van Vliet, I would like to know for example who can be ‘raised’ above him in his genre, cos all I see are copyists, and poor ones at that. This lyricist/musician has been ahead of the pack for twenty years, and still is. You can hear a little of him in many singing and lyrical styles that appear to be quite unique

    Innovators in art, Mahler, Strindberg, Forster, Vaughn Williams, Renoir, Ravel, Dylan, Mitchell, Nyro, Seeger, Carmichael, Charlie Parker, John Surman…you know what I mean. The fact is that whether we are prepared to accept it or not a handful of musicians the past three hundred years have been the musical innovators, millions have adjusted there own work to fit the model. I think the source of the river will always have the purest water.

    Of course this is just my opinion as an ‘old fart’, but one who has been around long enough to recognize the half-baked concepts of ‘young farts’…You see, I have the dubious pleasure of having been both a young and an old fart. One day you will be an old fart and frankly, you may find it a rather enjoyable station in life….

    Best regards - HS

  • freedom96
    freedom96

    No question that music has taken a dump.

  • Satanus
    Satanus

    HS

    True, not heard of much. But i'm always ready to sample the river further upstream. Don Van Vliet as in captain beefheart? If there were one or two of his songs that you would promote, which would they be?

    SS

  • Abaddon
    Abaddon

    libra:

    Wow abandon, talk about trying to intellectualize music! I consider it an art form, really whats the point if you turn it into an intellectual thing and even feel the need to redifine the question...LOL! I listen to music with my emotions and so for me how could it be anything but an expierence? The question makes perfect sense to me, it is truly a matter of personal taste and expierence.

    The root of the question 'was music better years ago' is easily lost in the clutter of subjective replies influenced by age and taste. Thus me saying if you want to actually answer the question you have to define what 'better' is; if you don't, it is just an interesting conversation about musical tastes.

    H_S

    Tori Amos, is she not the girl that cites Joni Mitchell as her greatest influence and actually released a couple of her covers?

    Tori has done 'A case of You' and 'River' I think. But the way you phrase that question makes me think perhaps you don't have any CD's of Tori, and I'd really advise you (if that's true) to listen to her; she is more than quite good; Little Earthquakes is the starting point. To dismiss her as an imitator based on radio play and interviews would be unwise.

    Any female singer/songwriter who doesn't cite Joni as an influence is very likely to be lying through their teeth, or woefully ignorant, or just BAD. However, just because she was someone who defined a genre doesn't mean she can never be rivaled. Is every woman who sings deeply personal songs by herself on stage with a piano (or guitar) automatically inferior to Joni Mitchel just because Joni was an innovator of that genre? No - and I don't think you'd argue that.

    And innovation is something that happens ONCE; creativity can happen after a genre has been 'innovated'.

    I love Joni, and think perhaps in absoolute terms she is a superior writer of lyrics to Tori; her early albums especially;

    CONVERSATION

    He comes for conversation
    I comfort him sometimes
    Comfort and consultation
    He knows that's what he'll find
    I bring him grapes and cheeses
    He brings me songs to play
    He sees me when he pleases
    I see him in cafes
    And I only say, hello
    And turn away before his lady knows
    How much I want to see him
    She removes him, like a ring
    To wash her hands
    She only brings him out to show her friends
    I want to free him

    Secrets and sharing soda
    That's how our time began
    Love is a story told to a friend
    It's second hand
    But I'll listen to his questions
    I'll give my answers when they're found
    He says she keeps him guessing
    But I know she keeps him down
    She speaks in sorry sentences
    Miraculous repentances
    I don't believe her
    Tomorrow he will come to me
    And he'll speak his sorrow endlessly and he'll ask me why
    Why can't I leave her?

    He comes for conversation
    I comfort him sometimes
    Comfort and consultation
    He knows that's what he'll find
    THE PRIEST

    The priest sat in the airport bar
    He was wearing his father's tie
    And his eyes looked into my eyes so far
    Whenever the words ran dry
    Behind the lash and the circles blue
    He looked as only a priest can, thru
    And his eyes said me and his eyes said you
    And my eyes said, let us try

    He said, "You wouldn't like it here
    No it's no place you should share
    The roof is ripped with hurricanes
    And the room is always bare
    I need the wind and I seek the cold"
    He reached post the wine for my hand to hold
    And he saw me young and he saw me old
    And he saw me sitting there

    Then he took his contradictions out
    And he splashed them on my brow
    So which words was I then to doubt
    When choosing what to vow
    Should I choose them all-should I make them mine
    The sermons, the hymns and the valentines
    And he asked for truth and he asked for time
    And he asked for only now
    Now the trials are trumpet scored
    Oh will we pass the test
    Or just as one loves more and more
    Will one love less and less
    Oh come let's run from this ring we're in
    Where the Christians clap and the Germans grin
    Saying let them lose, crying let them win
    Oh make them both confess

    A CASE OF YOU

    Just before our love got lost you said,
    "I am as constant as a northern star."
    And I said, "Constantly in the darkness
    Where's that at?
    If you want me I'll be in the bar."
    On the back of a cartoon coaster
    In the blue TV screen light
    I drew a map of Canada
    Oh Canada
    With your face sketched on it twice
    Oh, you're in my blood like holy wine
    You taste so bitter and so sweet
    Oh I could drink a case of you, darling
    And I would still be on my feet
    Oh I would still be on my feet

    Oh I am a lonely painter
    I live in a box of paints
    I'm frightened by the devil
    And I'm drawn to those ones that ain't afraid
    I remember that time you told me, you said,
    "Love is touching souls"
    Surely you touched mine
    'Cause part of you pours out of me
    In these lines from time to time
    Oh, you're in my blood like holy wine
    You taste so bitter and so sweet
    Oh I could drink a case of you, darling
    Still, I'd be on my feet
    I would still be on my feet

    I met a woman
    She had a mouth like yours
    She knew your life
    She knew your devils and your deeds
    And she said,
    "Go to him, stay with him if you can
    But be prepared to bleed"
    Oh but you are in my blood
    You're my holy wine
    You're so bitter, bitter and so sweet
    Oh, I could drink a case of you, darling
    Still I'd be on my feet
    I would still be on my feet

    Tori;

    CRUCIFY
    Every finger in the room is pointing at me
    I wanna spit in their faces
    Then I get affraid what that could bring
    I got a bowling ball in my stomach
    I got a desert in my mouth
    Figures that my COURAGE would choose to sell out now.

    I've been looking for a savior in these dirty streets
    Looking for a savior beneath these dirty sheets
    I've been raising up my hands
    Drive another nail in
    Just what GOD needs
    One more victim

    Why do we crucify ourselves
    Every day I crucify myself
    Nothing I do is good enough for you
    Crucify myself
    Every day I crucify myself
    And my HEART is sick of being in chains

    Got a kick for a dog beggin' for LOVE
    I gotta have my suffering
    So that I can have my cross
    I know a cat named Easter
    He says will you ever learn
    You're just an empty cage girl if you kill the brid

    I've been looking for a savior in these dirty streets
    Looking for a savior beneath these dirty sheets
    I've been raising up my hands
    Drive another nail in
    Got enough GUILT to start
    My own religion

    Why do we crucify ourselves
    Every day I crucify myself
    Nothing I do is good enough for you
    Crucify myself
    Every day I crucify myself
    And my HEART is sick of being in chains

    Please be
    Save me
    I CRY

    Looking for a savior in these dirty streets
    Looking for a savior beneath these dirty sheets
    I've been raising up my hands
    Drive another nail in
    Where are those angels
    When you need them

    Why do we crucify ourselves
    Every day I crucify myself
    Nothing I do is good enough for you
    Crucify myself
    Every day I crucify myself
    And my HEART is sick of being in chains

    Why do we change (chains?)
    Crucify ourselves
    Everyday

    Never going back again
    Crucify myself again
    You know
    Never going back again to
    Crucify myself
    Everyday
    WINTER
    Snow can wait
    I forgot my mittens
    Wipe my nose
    Get my new boots on
    I get a little warm in my heart
    When I think of winter
    I put my hand in my father's glove

    I run off where the DRIFTS GET DEEPER
    Sleeping beauty trips me with a frown
    I hear a voice
    "You must learn to stand up for yourself
    Cause I can't alyways be around"

    He says when you gonna make up your mind
    When you gonna love you as much as I do
    When you gonna make up your mind
    Cause things are gonna CHANGE so fast
    All the white horses are still in bed
    I tell you that I'll always want you near
    You say that things change my dear

    Boys get discovered as winter MELTS
    Flowers competing for the sun
    Years go by and I'm here still waiting
    Withering where some snowman was
    Mirror mirror where's the crystal palace
    But I only can see myself
    SKATING around the truth who I am
    But I know dad the ice is getting thin

    When you gonna make up your mind
    When you gonna love you as much as I do
    When you gonna make up your mind
    Cause things are gonna CHANGE so fast
    All the white horses are still in bed
    I tell you that I'll always want you near
    You say that things change my dear

    Hair is grey and the fires are burning
    So many dreams on the shelf
    You say I wanted you to be PROUD of me
    I always wanted that myself

    When you gonna make up your mind
    When you gonna love you as much as I do
    When you gonna make up your mind
    Cause things are gonna change so fast
    All the WHITE HORSES have gone ahead
    I tell you that I'll always want you near
    You say that things change my dear

    Never change

    All the white horses
    CHINA
    China all the way to New York
    I can feel the distance getting close
    You're right next to me
    But I need an airplane
    I can feel the DISTANCE as you breathe

    Sometimes I think you want me to touch you
    How can I when you build a great WALL around you
    In your eyes I saw a future together
    You just look away in the distance

    China decorates our table
    Funny how the CRACKS don't seem to show
    Pour the wine dear
    You say we'll take a holiday
    But we never can agree on where to go

    Sometimes I think you want me to touch you
    How can I when you build a great WALL around you
    In your eyes I saw a future together
    You just look away in the distance

    China all the way to New York
    Maybe you got lost in MEXICO
    You're right next to me
    I think that you can hear me
    Funny how the distance learns to grow

    Sometimes I think you want me to touch you
    How can I when you build a great WALL around you

    I can feel the distance
    I can feel the distance
    I can feel the distance getting close

    And Tori is FAR more sexual than Joni, and as someone who grew up in a very religious house has LOADS of innovation as regards the demons she exorcises through songs. She also is the only woman I know of who wrote a song about being raped.

    Now, if I had said Alanis Morrisette, and you'd replied;

    Joni Mitchell is today drafting songs that will serve as inspirational fodder for the thousand Alanis Morisette' to come for a long while - and believe you me, there are thousands of copyists singing out their spleens in their little bedrooms as we speak.

    I'd be far more inclined to agree.

    I would not class Led Zepplin as innovators in any way, they followed in footsteps carved by others seldom heard of.

    You've got a thing about inovation haven't you? But, come on, you know that the lines aren't as clearly drawn as all that, and that the inovators are normally the ones who mix the stuff that went before in an original way, as distinct from people who do something no one has done before. If you want to create a family tree of music, there are very few roots and lots of branches. Example; the Beatles - they didn't really do anything that was utterly original, it's just their creativity and originality in combining musical forms they liked into something new was outstanding.

    Standing on the shoulders of giants is the fate of most musicians; funnily enough some of the most despised music is the most innovative (rap and dance), or at least was about a decade or two ago and is now usually as formulaic as corporate rock.

    Don Van Vliet (Captain Beefheart for the benefit of those who don;t know his real name) was an innovator, but do realise that just as calculus was invented twice, so too similarity is not always imitation, but someone seeing the same pattern in what went before and coming to the same conclusion.

    Where would Dylan be without Woody Guthrie? Where would Mahler be with Bach? Yes, some people have created whole new branches of music, but they have not been without their influences. ANd although the water may be 'purer' if you are too much of a purist you miss out on a lot of good stuff; hell, I'll never see the Doors, so have NO problem with bands that sound lkike the Doors provided the individual songs are good.

    And I'm an old far and a new fart at the same time; best of both world; mock the past but do so with knowledge and good taste!

  • be wise
    be wise

    Hi Hillary,

    ...I'm a 'young fart'.

    I suppose you couldn't have put it any clearer. I'm planning on getting older and wiser though!

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