Millie: Why didnt they make the girl leaving in the colored dress "more"?
As in tighter dress, shorter, cleavage implied.
Actually cleavage is implied even though it is a side shot.
I think that by not altering her too much...it leaves room for the blue lady to be either or - a bad woman or a good JW woman - the image hits both levels. If she was altered much at all - she was given color but maybe not much else was done to her figure.
Besides, I think that your following observation lends more credibility to the theory that the source image was a candid photo taken at a KH somewhere. The people in them are in real, KH poses.
That poor woman on the left in the picture that is part of a couple is a sad sight.
Flat chested with an underbite and an eager look on her face because she is being "recognized" (that would seem to indicate the man addressing the couple is a somebody ie; elder ((gag))
And look! Her husband is noticibly better looking than she - so there you go aging single pioneering girls in your late 20s and 30s. You too can get "tall, dark and handsome" becaise they are looking for women who are "spiritual".
You have just described exactly what you could see in a KH anywhere - I notice how she is standing slightly behind him, her shoulders bent submissively. To tell you the truth, I didn't peg her for being the polished guy in the center's wife - I just dismissed her as a late teen wandering around behind the two guys. But, now, with your description, of course she is the dude's wife.
An image like this deserves to get a lot of attention. It is a powerful image and one that is designed -even if a bit clumsy in execution - to elicit an emotional response, rather than a rational one from the viewer. It is why propaganda images are powerful - they evoke emotion.
Consider if this was presented in what i believe to be its original form - a candid photo. It wasn't presented that way. And remember that if this was a candid photo, this image was chosen - someone said - that's it! that one will say what we want it to.
And then, the image was altered.
And then, the photo was totally placed out of context to associate it with disfellowshipping, an act that distorted why the image was taken in the first place. Not only was the photo manipulated, its placement was manipulated.
By deconstructing this image, the viewer gains power over it. The powerful image becomes an understandable object. It loses its ability to appeal to the irrational - our emotions - and instead we can objectively and rationally place it in submission to formal qualities alone. We gain control of the image by understanding it as much as we are able to.
By the way, I am enjoying everybody's responses to this image. I like image deconstruction. It's fun.
:)
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